The experimental Ford Aurora went on tour in 1964. |
The Ford
Motor Company showed off its wares at the 1964 World’s Fair in New York City
and included a number of concept vehicles.
The crown jewel was a radical “luxury lounge” prototype wagon. The bright orange Aurora station wagon rode
on a 3327.4-millimetre (131-inch) wheelbase. Its celestial
name was explained to visitors as meaning “the beginning or rising light of
morning.”
In showing experimental cars to
millions of potential consumers, Ford intended to collect valuable feedback so
that product planners, designers and engineers would be in tune with future
market trends. This was of concern because Ford was a distant third in the
station wagon game, well behind GM and Chrysler. Even little Rambler was
snapping hard at Ford’s wagon heels.
The 1946 Willys-Overland Jeep station wagon was a pioneer in the post-war North American station wagon segment of the automotive market. |
After
World War Two, the wagon market segment exploded as people migrated from cities
to newly created suburbs. Independents Willys and Nash took note of the
lifestyle change and introduced wagons. Detroit insiders studied the rising
sales phenomenon.. In the industry, 10%
was the benchmark figure that analysts used to determine significance and
viability of a model trend. Soon, the Big Three circled with wagons of their
own.
Ford's 1961 Country Squire station wagons offered seating for six or nine passengers. They were the largest and most expensive full-sized Fords of all, costing $3,357 and $2,437 respectively. |
The multi-purpose body style hit its
high note in 1961 when it claimed a full 16.8% of all cars built. Production
dropped to 13.8% in 1962 and dropped again to 13.1% in 1963. In 1964, automakers would build 936,970
station wagons—still a healthy 11.8% of the domestic passenger car market.
The Ford Pavillion at the 19641964 World's Fair. |
Ford
planners believed that the family wagon would be around for a long time to come
and developed the Aurora as a “…rolling laboratory of new ideas in styling and
engineering for the future.” Gene Bordinat, Vice-president and Director of
Styling at Dearborn, predicted that wagons would one day have unique chassis
components not drawn from other passenger car lines.
Aurora
introduced 23 new concepts. Headlights were replaced by a minibank of 12
micro-lights spanning the car’s front. Ford pointed out the safety in having a
dozen headlamps, should one burn out. The lighting system was controllable,
“with many stages between the dimmest and brightest extremes.”
Two vast,
recessed grille intakes flanked the
mini-bank light bar and ran upward from the bumper along the length of the hood
to the cowl. Massive amounts of air entered the large openings to cool the
engine and left the compartment by way of the cowl. This “Aerohead” setup
allowed for use of a smaller radiator and gave the Aurora a rakish, aerodynamic
front.
Engineers
neatly tackled station wagon heat and light irritants with a series of dramatic
applications straight out of science and physics labs. They dressed the Aurora
in a heat reflecting roof. The textured aluminum overlay, designed to deflect
infa-red rays, began just behind a built-in roll bar. To the front of the roll
bar, an enormous windshield wrapped upward into a polarizing sun roof. Publicity extolled its virtues by saying,
“This affords excellent overhead visibility, even when the adjustable roof is
in its opaque position.”
Aurora’s sun roof was yet
another space age marvel. An opaque screen made up of ¾-inch parallel strips of
polarized material closed the transparent roof to exterior rays. When open, a
soft green light filtered in. A power
button controlled the amount of sunlight admitted into the cabin. Air
conditioned throughout, only the front windows opened.
Safety was high on the list of
design ideas incorporated into Aurora. Large “Bodyside Turn Indicators” were
moulded into the front and rear fenders. They flashed amber in front and red at
the rear. A deep “Safety Cove” indentation stamped into the lower body panel
was filled with electroluminescent lighting. The lighting system did not
generate heat and illuminated the wagon’s flanks as well as lighting up the
block letters AURORA on the hood and tailgate. Publicity said, “This light
source suggests many new safety and product identification design ideas.”
Visit my old car website at: The Oilspot Eh!
The Aurora’s cabin was equally
space-age in execution. The driver sat in a Command Post, nestled in a plushly
upholstered, countoured, high-backed,
cockpit seat complete with a neck support. The traditional steering
wheel gave way to a W-shaped steering bar that required only a half turn from
lock to lock. This feat was accomplished with the aid of both power steering
and variable ratio steering gears.
Seen here are the Aurora's AM/FM radio, climate control and to the extreme right, a GPS. |
The
instrument cluster boasted indicators that advised the driver of the safest
speed in any given lane and also warn of blocked lanes ahead. The speedometer
was a large, imposing strip with oversized numerals, and it ran the full width
of the console. A global positioning screen and constant speed control device
were on-board aids.
The front seat passenger sat in
an overwide swivel armchair. That enabled the passenger to chat with as many as
four people all comortably seated in the Central Lounge on a vast, curved sofa.
Those who rode in the rear entered Aurora through an overwide door located on
the passenger side of the wagon. There was no rear door on the driver’s side. A
Communications Console boasted an AM/FM radio, and tape recorder. A TV that
could play pre-recorded movies from an computer card hung from the wall. A
built-in bar had a travel-safe table top and a cabinet for storing ice and
snacks. There was a “thermo-electric” stove and fridge. A dropped ceiling cove ran the roof’s spine,
providing space for direct and indirect lighting units.
Entrance to the cargo area was
through massive clamshell doors. The bottom one dropped low and featured a
carpeted step. The top half rose up on torsion bars and slid back over the
roof. A rearward facing third seat was home to the fully equipped and
luxuriously appointed Children’s Compartment. Conveniently sound-isolated from
the rest of the cabin by means of a power-operated glass, an AM/FM radio
doubled as an intercom. The “Romper
Room” had a storage bin for toys and games and its own temperature thermostat.
Few of the Aurora’s designs
ever made it into production but Ford’s wonder wagon certainly excited the imagination.
The 1964 Ford Country Squire station wagon. |
Visit my old car website at: The Oilspot Eh!
Copyright James C. Mays 2003All rights reserved.
1 comment:
I wish it released
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